Saturday, October 29, 2016

Will it slide

Slide guitar is a staple for the blues guitarist.  Legends like Robert Johnson, Ry Cooder, and Dwayne Allman took slide guitar to amazing heights.  While I'm by far nowhere near proficient in slide guitar I got to thinking, what else could you use a slide on.

Join me as I investigate the musical and not so musical instruments that a slide can or cannot be played on in my quest to find out, "Will It slide?"


Sunday, October 9, 2016

Zoom Choir

Back in the mid 90's Zoom released a few pedals that had some really cool functionality.  The pedals had a number of different types of sounds as well as the ability to set a preset and a current setting that was foot switchable.

I was fortunate enough to purchase the Zoom Choir 5050.  This pedal offered chorus,chorus and reverb,chorus and delay, delay, aura, and dimension.  While I mostly used this  pedal for chours and delay the other sounds came in handy at times.

Below is a video demo of my Zoom Choir 5050




Wednesday, October 5, 2016

Point Reyes Lighthouse

A few years ago my wife took a trip to San Francisco.  While up there she decided to fulfill one of her bucket list items, visit a lighthouse.

She made the trek down to the Point Reyes Lighthouse.  Established in 1870 it is approximately 300 steps down to this magnificent building.  Below is a video montage of the photographs she took on her trip.





Sunday, October 2, 2016

Scott's Superdrive

As you may know I've dabbled in the DIY pedal scene for a while.  I love the smell of melting solder and the fly by the seat of your pants "will it work?" feeling when making a pedal.

A number of years ago I started trying my hand at creating something different by mashing different pedal designs together. Some of these were non starters and others were OK.  This particular experiment came out quite well.

Scott's Superdrive took the Tube Screamer type circuit and married it to a Big Muff type tone stack. Of course each of these parts of the pedal received their own tweaking and modifications.  At the end of it all was a Mosfet output stage to recover some of the signal loss from the tone stack.

The result was an overdrive with more drive than a Tube Screamer, less buzz than a Big Muff, and an overall interesting characteristic all it's own.